The Sense of an Ending is a film that will attract older baby boomers because we love movies about ourselves. Plus it's a great cast (Jim Broadbent and Charlotte Rampling, among others) and stellar acting all around, particularly by Broadbent as Tony, a curmudgeon being revisited by his past.
There's a rather convoluted mystery at the heart of the story involving a girl Tony was involved with (Charlotte Rampling as Veronica) as a university student some fifty years ago. Veronica's mother has died and, oddly enough, left him something in her will that he has to reconnect with Veronica (of course) to get.
It sounds like an interesting premise but it's not. Tony hasn't seen Veronica in all those years, doesn't appear to have ever thought about her, doesn't seem to be carrying a torch. So, except for simple curiosity it's hard to understand why he cares.
But if he didn't there wouldn't be a film. That wouldn't be a big loss.
I have a couple of nits to pick (other than the entire film): Tony has an unmarried daughter who has decided to have a child on her own and is hugely pregnant. By default, Tony is her Lamaze partner, which was unseemly to me as he sat behind her with his hands on her belly. Call me a prude but as much as I loved my dad I would never have wanted him to do that with me.
There's also a gratuitous scene in a bar where Tony has told someone he went to university with Veronica and the guy tells him he doesn't look old enough to have gone to university 50 years ago. Well, yes, he does. And then some.
I wish this had been a more engaging story. I really wanted to like it. The only thing to recommend it is the cast but excellent acting is not enough to overcome boredom.
Two out of five stars for The Sense of an Ending.
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